The publication brings together the texts, artistic works and visual exchanges of the first Covid-19 pandemic semester 2020 of one painting class. The exclusively digital created content is translated into a new format – an analogue exhibition space. The three parts of the objectlike book represent the new digital collective forms of work, which should not embody an imitation of physical presence, but constitute new formats.
Accordingly, the design also quotes and translates the digital origin. The books are offset printed, the foils are screen printed and the different parts are joined together with magnets.
in collaboration with Lucy Cramer↗, Elisabeth Thoma↗ and the Klasse Kühn↗








photos by Elisabeth Thoma↗ and myself
fonts used: Silka by atipo foundry↗ and Résistance by Velvetyne↗
printed by Nova Druck↗
The publication brings together the texts, artistic works and visual exchanges of the first Covid-19 pandemic semester 2020 of one painting class. The exclusively digital created content is translated into a new format – an analogue exhibition space. The three parts of the objectlike book represent the new digital collective forms of work, which should not embody an imitation of physical presence, but constitute new formats.
Accordingly, the design also quotes and translates the digital origin. The books are offset printed, the foils are screen printed and the different parts are joined together with magnets.
in collaboration with Lucy Cramer↗, Elisabeth Thoma↗ and the Klasse Kühn↗








photos by Elisabeth Thoma↗ and myself
fonts used: Silka by atipo foundry↗ and Résistance by Velvetyne↗
printed by Nova Druck↗